Can you play regular music on sax and dotty show presenter
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#Can you play regular music on sax and dotty show presenter tv
Willie Bryant with Cholly and Atkins (1955) In one of the first black TV shows: Harlem Jubileeĭottie Saulters is among the first guests of the TV show with only black artists: Harlem Jubilee (or Uptown Jubilee). She’s billed as “formerly with Cab Calloway,” still an impeccable reference in show business. Billboard calls her a “pert and vivacious songstress.”Īugust 1949: along with Coles and Atkins, led by Howard McGee and his orchestra, Dotty Salters tours the eastern U.S., including Syracuse, NY. In spring 1949 she is on tour with Louis Armstrong, with her husband and Honi Coles. At this time, they are under contract with MCA that organizes packages of artists.Įarly in 1949 Dotty changes trumpeter and place: this time it’s Lee Castle (formerly with Benny Goodman, Tommy Dorsey and Bob Crosby) at Utica’s Chancellor, all in the northwest of the State of New York. One can hear her at Sacramento’s Zanzibar and spend eves with them at Club 86 in Geneva, NY. For some time, when she has no gig in Philadelphia, Dottie Saulters accompanies trumpeter Roy Eldridge and his quintet.
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In July 1948, Atkins tours with Coles – but without Dotty - in Great Britain and returns in September.
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The canary with Roy Eldridge and Louis Armstrong There, their new neighbors are Honi Coles, Dizzy Gillespie, Milt Hinton and Budd Johnson. But shortly after, due to issues with the landlord, they move into an apartment owned by a friend of the one-legged tap dancer Peg Leg Bates in Queens. They visit their neighbors Willie Bryant, Ella Fitzgerald and Ray Brown, Harry Belafonte. In the springtime, the couple moves from 2040 Seventh Avenue in Harlem to a rooming house on Morningside Drive, with a larger apartment with an extra room for a hoped-for baby. The revue begins on February 6th and lasts several weeks. In a revue produced and presented by Larry STEELE, she’s headlining, along with The Four Tones and Slim & Sweets. I do not know what happened to the Willie Bryant radio show, but Dottie Saulters soon moves to the Beige Room of the Pershing Hotel in Chicago. The press announces the sax player Charlie Ventura and his Orchestra with vocalist Billy Stewart and also the contortionist (very convenient for radio!) Irene Hinton, the tap dancer Billy Williams and Dottie Saulters, of course, “the personality girl.” A journalist says that she “has an uninhibited style and sells her songs with verve and showmanship.” A show is intended to be daily, combining numbers, songs and games. Nevertheless, in February 1948, she is in the cast of a radio-stage show produced and presented by Willie Bryant at the Apollo in Harlem. She shares her cooking skills with the company. When Cab Calloway’s orchestra disbanded, Dottie found work at the Baby Grand and Savannah Club in Manhattan, the 845 in the Bronx and several clubs in Philadelphia.Īccompanying her husband on tour with the Ink Spots, Dotty is back on the road (but not on stage). But she too fell victim of the same color bar which excluded Ida James.” “Little Dottie Saulters, after graduating from the theatrical kindergarten, became a night club favorite in Lower Manhattan where she was discovered by a talent scout and whisked off to Hollywood, along with Maurice Rocco, to be featured in a number of films. The latter two actually have a similar career, a promise of success but stopped by segregation: The likes of Sugar Chile Robinson, the Nicholas Brothers, the Berry Brothers, Ida James and Dottie Saulters are the stars of… the article.
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It is with this title that Ralph Matthews of the Afro American (March 15, 1947) evokes the careers of artists who have known the glory as youngsters but who didn’t all remain in the limelight. “What happens when child prodigies grow up?”